Having an exceptional flair for novelty,
Prattyush has remodeled the traditional sarode to a great extent, as explained in details here.
He has a unique fingering technique and plays three-and-a-half octave movements with ease.
Ascendings and descendings in Khamaj that followed by raga Jhinjhoti ; Asavari thaat followed by raga Kaunsi Kanhra and Bhairavi thaat followed by raga Bilas Khani Todi .
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